The New Malaise

Back in the first post I said Malaise was “back” and that I was busy conceptualising just what form it would take moving forward. I stated with much confidence that it wouldn’t be making a print comeback, that the fanzine was dead.

I’m that kind of indecisive person who spends a lot of time reinventing to, I hope, not too much of my own detriment. Dwelling on this idea, what it could be, what it’s been, it’s become clear to me that there really is no other way I’d want to do it other than a physical print publication. Hand xeroxed, personally distributed and all.

Back when Malaise was already in print and I was just starting to collate the second issue, I made the decision that this was just not going to work if I did it all myself. Real DIY is an ethic, it’s a conscious decision where you dedicate your efforts to a quest in unlocking your potential, and I think if done correctly the potential of others. On top of a stressful relationship, studying to not be an animator and volunteering with ZICS, that conscious effort just got too much and I laid the tools down. Mostly, the reason it ended was because I lacked to time and therefore energy to put into producing a 36-page fanzine all by myself.

That was the low note, here’s the high.

I’m really excited to share this sort-of epiphany that with the help of my brother Liav Shalev, long time supporter and good photography guy, is starting to shape into a full on concept. Malaise will be a regular zine again. New foundation, new direction; same passion, same zero dollar cost.


The revised Malaise will be just one A3 sheet folded in half, two-sided print. The size is important for the same old reason which is that there are heaps of really good zines out there that have skating in them but we wanted to do something where the format follows the content and is truly a skate zine of skateboarders. I figured bigger was better and minimal was key. One sheet is easy enough to fold into your pocket, so you needn’t think twice about picking it up. And also if I’m going to be honest, there’s a lot less hairpulling pulling just two pages of content together under a bi-monthly/monthly (we’ll see how we go) deadline.

There’s heaps more in the works and heaps more that we have to do to build up momentum for a soft May release of the first issue. But as always I extend the offer to get involved in whatever way you feel you can! The zine will be free which means we’ll be doing all the work for free, so volunteering to help out is ace and I encourage it.

Lastly, I want to reiterate that at the heart of this idea is the need to coalesce skateboarders who produce creative work out of love, intrigue or labour. Because simply put, even in skateboarding creative work is undervalued. The new Malaise is heavy on the art side of things but I don’t want that to mean exclusive of filmmaking, writing, making music, the act of skateboarding itself. It’s a zine for those who are as much skaters as people.

Much more to come real soon so keep em lubricated: @malaiseskate on twitter and insta, facebook here.


Re-Issued: Seff Mudge’s Vivid Black Artistry

As part of this ‘re-issued’ series of posts – turning back time to take another look at some of the people who contributed and helped form the first iterations of Malaise – I wanted to lean into the artists who took enough interest in it to made work specifically for the zine. It’s also a part of this agenda to put the artists of the the skateboarding community to the forefront and build social space for us a niche within that community, which I think is vital and rare.

Seff Mudge contributed a really impressive illustration for the second issue. Back then it took me by surprise to see how much effort is put in with every piece he does, even if it’s this pro-bono scene he flicked my way – doing work for free as an artist these days is tough and I’m super thankful he took the time.

grim reaper taking soul A4.jpg

Since following him on instagram and his facebook page over the last two years he’s become increasingly prolific and sets a good tempo for an active, developing illustrator. So I caught up with him to hear what he’s been up to and what he’s got planned for the future.


First up, how are you?

Whats been transpiring for you creatively over the past three years?

Pretty good thanks. I’m gonna have to try to think back now haha. I guess I’ve been fairly consistently throwing artworks into a bunch of different exhibitions around the Brisbane area over the past few years. I was also lucky enough to be selected to design a skate graphic in the Converse Cons Project on the coast and also win best illustration. That whole weekend was so fun, inspiring and just ahh! Designing a range of commission pieces for CRMC, an alternate clothing brand based in Scotland is also a major highlight and seeing the garments coming to life at the moment is awesome too. It was also cool getting the chance to spread the word about habitat destruction when I was accepted into the Decks for Change project last year. That whole experience has really inspired me to start putting more nature orientated messages into my art and who knows I might enter again this year. In more recent news I’ve just designed a few t-shirt commissions for Brisbane metal band Outlive, one of which is in the process of being printed and sold at their shows, definitely look forward to working with them a heap more.

Definitely noticed a shift in subject matter with your work since I last checked in. Much more interpretive symbolism. You’re self taught?

Yeah I definitely see that my work has changed. Not that I felt I didn’t previously but I’ve started putting a heap more thought into the concept stage before even beginning any part of the inking process. My pieces usually take ages to complete so it seemed natural that I should plan things out smoother before going straight into it and spending all that time. It feels like a much more healthy approach to making art, for me anyway.

Back to your question. I am self-taught. I was drawing way back in preschool but by the time I got to high school I had almost completely stopped. The first “drawing lessons” I had received, and this is probably going off on a bit of a tangent, was when I was chosen to go on a camp at some old castle place called Woodlands back in like grade 6 or something. From what I can remember it was a pretty cool experience, me and random other school kids got to meet and work with professional writers and illustrators to produce a story book. I’m pretty sure I had already been practicing most of what they were teaching beforehand anyhow, so no real improvement there haha. Besides the old high school art classes it wasn’t until I finished my design course back in 2014 that I started drawing again.

Where’d you study?

At CATC Design School in the valley. It was just a Diploma course.

Understand you’re preparing for an exhibit launch at bean on friday called ‘sloe’, what else is in the future for you as an artist?

Sure am. There should be some fresh interesting work to see there, definitely something to check out if you’re in the area. As for other exhibitions so far, I’ll have 1 or 2 pieces in the ‘Lords’ art show at Crowbar toward the end of February. I’m also going to be more active within the Primary Arcade and The Brisbane Collective groups so hopefully you’ll be able to check out more of my work in their upcoming shows. As far as personal work goes I haven’t got plans to start any art challenges or anything, as of yet, just going to focus on improving, looking within for inspiration blah, blah, blah and all that sorta shit haha. I would also like to be able to do a few more merch designs for local bands as well as working with other clothing labels in the UK or somewhere.


Vivid Black Artistry